Blood, dicks, pubes and much more. Ari Aster made the most jarring film of the year with Midsommar.
In a historically bad year for movies so far we’ve complied a list of our top 5 that aren’t so bad.
Toy Story 4 is the perfect victory lap ending to one of the most beloved franchises of all time.
The latest chapter in the Men in Black series, attempts to reboot the series with new leads and a different location. Unfortunately, Men in Black International is a lifeless recycled piece of IP (intellectual property) that does nothing to push the tired franchise forward.
In a world dominated by live-action Disney remakes thankfully we still get some origin adult comedies such as Late Night…. for now.
Gentrification, loss, love, family — the list goes on for what The Last Black Man in San Francisco has to say about the pressure that economic despair can put on a community.
We need a little more Always Be My Maybe, and a lot less of Tripple Frontier from Netflix.
While The Souvenir isn’t the most interesting movie, the beauty of each shot makes it unique. It’s a cinematic masterpiece that unfortunately isn’t very entertaining.
The sequel to the 2014 reboot of Godzilla, Godzilla: King of the Monsters is a poorly written mess that is nothing more than a studio using proven IP as a quick cash grab.
Booksmart is one of the best movies of the year. The box Office numbers don’t give this movie justice. Olivia Wilde showed us what a coming of age film should look like in 2019.
Another biopic about a misunderstood genius’ rise, fall, and comeback. Rocketman provides refreshing creativity to an overdone genre.
Presidential Candidate Beto O’Rourke shows just how cool he is while campaigning against Senator Ted Cruz.