Quentin Tarantino’s 9th film marks his most personal and slowest film to date. Add Once Upon a Time in Hollywood to the already impressive resume of one of the most accomplished and controversial directors in recent memory.
Stale jokes, underwhelming action sequences, and forgettable characters make Stuber closer to a Netflix original than a big time studio release. This is one punishing ride share you won’t want to take again.
Blood, dicks, pubes and much more. Ari Aster made the most jarring film of the year with Midsommar.
The latest chapter in the Men in Black series, attempts to reboot the series with new leads and a different location. Unfortunately, Men in Black International is a lifeless recycled piece of IP (intellectual property) that does nothing to push the tired franchise forward.
In a world dominated by live-action Disney remakes thankfully we still get some origin adult comedies such as Late Night…. for now.
Gentrification, loss, love, family — the list goes on for what The Last Black Man in San Francisco has to say about the pressure that economic despair can put on a community.
The sequel to the 2014 reboot of Godzilla, Godzilla: King of the Monsters is a poorly written mess that is nothing more than a studio using proven IP as a quick cash grab.
Another biopic about a misunderstood genius’ rise, fall, and comeback. Rocketman provides refreshing creativity to an overdone genre.
Presidential Candidate Beto O’Rourke shows just how cool he is while campaigning against Senator Ted Cruz.
John Wick: Chapter 3 – Parabellum is pure adrenaline
Director Penny Lane successfully converted me to Satanism with her latest film Hail Satan?
Avengers: Endgame is a fun and satisfying end of an era.